Grafted Landscapes - An Alternate Picturesque: June 2010

Wednesday, 30 June 2010

+ Interaction on the glass

Friday, 25 June 2010

+ Adding another dimension into the space

This video work is a representation of previous video works, which are different positions, the hovering vessel, and the portholes of everyday space.
Three spaces from different surfaces are communicated here. One from everyday space, one from Stowe, and another is the workshop. The first and the second space reveal each other by moving into the portholes (white spaces), then moving out of portholes. The third space reveals these two spaces, and records them on an interactive glass table by drawing the portholes with pen, painting the nature with brush, and masking the moving images with 3d objects.

+ The portholes of everyday plane

These sequences show the play with the dynamics in the interior space. It is the revealing of everyday objects which have been moved to another space. The object moves in the interior when another porthole into Stowe is revealed. The white spaces which have been revealed are the portholes of the interior, and the white lines show the effect of light to the surface. Changes of light conditions on the surface are the reflection of the dynamics of both moving and stable objects.

+ The artificial ruins and the vessel. The drawing shows the revealing of follies, and their relationship according to points of view.

The follies are positioned there for dragging the observer’s eye, and stretches the one’s mental vision with their irregularity, colour and naturalization to the soil. The vessel is there to experience them virtually.

+ Intersecting views/ a collage work

This landscape is the construction from the previous panoramic drawing aiming to create a perspective of what has been known, what has been seen before, and redefining different views simultaneously.

+ A 270° panorama starting from the Gothic Church towards South vista

The photographic films of these images were taken from the same point, but from the different directions, and were treated differently in the dark room. The final image shows the back of the slope, which is on the other side of intersecting lines.

Sunday, 20 June 2010

+ Final Report

Open publication - Free publishing - More virtuality

Book List

Allen, L, Borden, I, O'Hare, N, Spiller, N 2009, Bartlett Designs: Speculating with Architecture, John Wiley& Sons Ltd, West Sussex.
Barbier, CP 1963, William Gilpin- His Drawings, Teaching, and theory of the Picturesque, Oxford University Press, Oxford.
Baudrillard, J 2000, Simulacra and Simulation, The University of Michigan Press, USA.
Berger, J 2008, The Ways of Seeing, Penguin Books, London.
Breton, A 1990, Communicating Vessels, University of Nebraska Press, USA.
Britton, S, Collins D, 2003, The Eight Day-The Transgenic Art of Eduardo Kac, Arizona State University, Ariz.
Brownell, B 2008, Transmaterial 2: A Catalog of Materials That Redefine Our Physical Environment, Princeton Architectural Press, New York.
Capra, F 2003, The hidden connections : a science for sustainable living, Flamingo, London.
Carr, K, England, R 1995, Simulated and virtual realities, elements of perception, Taylor&Franchis Ltd, London.
Chard, N 2005, Drawing Indeterminate Architecture, Indeterminate Drawings of Architecture, Springer Wien New York, Austria.
Clarke, GB 1990, Description of Lord Cobham's Gardens at Stowe (1750-1750), Henry King Ltd, Dorchester.
Conrads, U 1971, Programs and manifestos on 20th-century architecture, The MIT Press, Massachusetts.
Cook, P 2008, Drawing: The motive force of architecture, John Wiley & Sons Ltd, Great Britain.
Denari, NM 1999, Gyroscopic Horizons, Thames & Hudson, Hong Kong.
Evans, R 1995, The projective cast: architecture and its three geometries, MIT Press, USA.
Ferriss, H 1986, The metropolis of tomorrow, Princeton Architectural Press, USA.
Foucault, M 2002, The order of things : an archaeology of the human sciences, Routledge, London.
Franck, KA, Lepori, RB 2007, Architecture from the Inside Out, John Wiley&Sons Ltd, England.
Franck, KA, Schneekloth LH 1994, Ordering Space: Types in Architecture and Design, Van Nostrand Reinhold, USA.
Furniss, M 1998, Art in Motion: Animation Aesthetics, John Libbey, Sydney.
Grosz,E 2001, Architecture from the Outside, The MIT Press, London.
Harvey, D 2006, The Condition of Postmodernity, Blackwell, U.S.A.
Hugonnier, M 2007, A film trilogy, Philadelphia Museum of Art, Philadelphia.
Kroker, A 1993, Spasm: Virtual Reality, Android Music, Electric Flesh. New World Perspectives, New York.
Kronenburg, R 2001, Sprit of the Machine: Technology as an Inspiration in Architectural Design. John Wiley&Sons Ltd, England
Leach, N 2006, Camouflage, MIT Press, Cambridge.
Macarthur, J 2007, The Picturesque: Architecture, Disgust and Other Irregularities, Routledge, New York.
Murray, S 2006, Disturbing Territories, Springer Wien New York, Austria.
Norman, N 1988, The Contemporary Picturesque, REMA Print, Vienna.
Robinson, JM 1990, Temples of Delight- Stowe Landscape Gardens, The National Trust, London.
Sheldrake, R 1988, The presence of the past : morphic resonance & the habits of nature, Park Street Press, Vermont.
Spiller, N 2002, Cyber Reader, Phaidon Press, London
Spiller, N 2008, Digital Architecture Now, Everbest Printing, China.
Vidler, A 2000, Warped Space, The MIT Press, London.
Virilio, P 1991, Lost Dimension, Semşotext(e), U.S.A.
Virilio, P 2000,A landscape of Events, MIT Press, London.
Watkin, D 1982, The English Vision: The Picturesque in Architecture, Landscape and Garden Design, John Murray Publishers Ltd, London.
Webb, M 1987, Temple Island, Architectural Association, London.